Sheafer + King Modern
Live Auction

Autumn Art + Design

Tue, Sep 30, 2025 11:00AM EDT
  2025-09-30 11:00:00 2025-09-30 11:00:00 America/New_York Sheafer + King Modern Sheafer + King Modern : Autumn Art + Design https://auctions.sheaferking.com/auctions/sheafer-king-modern/autumn-art-design-20186
Sheafer + King Modern is pleased to present our Autumn Art + Design auction. Highlights include paintings by Harold Town, David T. Grafton, Richard Allen George, and Walter Louis Jones, sculptures by Isidore Grossman, a Don Herron Tubshots photograph, an Alice Ballard Munn whiteware vase, a set of Milo Baughman dining chairs, and other designer lighting, furniture, ceramics, Modern and traditional art, glass, photography, and more.
Sheafer + King Modern auctions@sheaferking.com
Lot 248

Roy Fairchild-Woodward "The Protector" Lithograph Print

Estimate: $200 - $400
Starting Bid
$100

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$3,000 $250
$5,000 $500
$10,000 $1,000
$30,000 $2,500
$50,000 $5,000
$100,000 $10,000
$300,000 $25,000
$500,000 $50,000
$1,000,000 $100,000

Limited edition lithograph titled The Protector by Roy Fairchild-Woodard (British; born 1953). Signed, titled, and numbered 238/385 on lower edge.

 

Measurements: 42.75" W x 34.75" H x 1" D (frame); 35.75" W x 25" H (sheet).

 

From AskArt:

Roy Fairchild - Woodard was born in 1953 in Surrey, England. He lives and works most of the year in his country home. This peaceful environment is fundamental to his well being and stability as an artist, although he travels throughout Europe to obtain new sources of inspiration. He is particularly influenced by the painters of the Renaissance and he visits Italy in particular to study frescoes, tapestries and paintings and to see for himself the techniques with which they were executed.

His vision is coloured by his immersion in this past. His surfaces are rich and sumptuous and he uses varied interwoven elements such as fabrics and flowers in his work. The crumbling plasterwork of ancient frescos are also alluded to in his use of plaster as base for acrylic and oil over-painting.

His admiration for Egon Schiele and Gustav Klimpt can be seen in occasional references of line and decoration but he has extended their techniques to produce something altogether bolder and contemporary.

After leaving school at sixteen to train as a technical illustrator, he then took a degree in graphic design. Having completed his education he set up his own studio. He soon found it was difficult to make a living from his own work and supported himself and his family for several years by producing, under the name of Woodard, illustrations for record sleeves, advertisements and books, as well as decorative serigraphs and lithographs.

 

Pickup or third party shipping required. 

Not examined out of frame.

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