Sheafer + King Modern
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June: Works on Paper

Tue, Jun 16, 2026 11:00AM EDT
  2026-06-16 11:00:00 2026-06-16 11:00:00 America/New_York Sheafer + King Modern Sheafer + King Modern : June: Works on Paper https://auctions.sheaferking.com/auctions/sheafer-king-modern/june-works-on-paper-23044
Sheafer + King Modern is pleased to present June: Works on Paper auction. The auction features paintings and prints on paper including works by: Peter Gee, Willem de Looper, Victor Vasarely, Fernand Leger, Salvador Dali, Steve Redman, Steven Conant, Alexander Gorlizski, Erte, R.C. Gorman, James Bruch, Walter Stomps, Eugene Savage, Michio Takayama, Richard Kalina, Robert Natkin, Richard Lindner, etc. The auction also features a large number of paintings and prints by Candian artist, Walter Sorge (1931-2021). 
Sheafer + King Modern auctions@sheaferking.com
Lot 66

Misch Kohn 1965 "Large Bird" Lithograph Print

Estimate: $50 - $300
Current Bid
$30

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$3,000 $250
$5,000 $500
$10,000 $1,000
$30,000 $2,500
$50,000 $5,000
$100,000 $10,000
$300,000 $25,000
$500,000 $50,000
$1,000,000 $100,000

1965 lithograph titled Large Bird by Misch Kohn (American; 1916-2002). Signed, dated, titled, and numbered 2/50 lower right.

 

Measurements: 25" W x 35.5" H (sheet).

 

In house shipping available.

 

From AskArt:

Kohn was born in Kokomo, Indiana to Russian emigrant parents and studied printmaking with master printers Max Kahn and Francis Chapin at the John Herron Art Institute in Indianapolis. Early on with the WPA, he produced color lithographs and also small wood engravings with strong political messages. These pieces are distinguished by the rhythm of negative and positive shapes emphasized by contrasts of black and white coloration.



He spent a year in Mexico, where he assisted Jose Orozco with mural painting, and this experience had a marked influence on his style. In 1939, he moved to Chicago where in 1949 he began a 22-year career teaching printmaking at the Institute of Design. In 1961, he went to June Wayne's Tamarind Lithographic Workshop in Los Angeles. His work became more abstract and darkened, but later he returned to more color and his work reminded viewers of his earlier woodcuts. In 1971, he became Printmaker at California State University at Hayward. The first retrospective of his 60 years of printmaking opened fall, 1998, at the Monterey Museum of Art in California and toured the country from there.

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