Sheafer + King Modern
Live Auction

Autumn Art + Design

Tue, Sep 30, 2025 11:00AM EDT
  2025-09-30 11:00:00 2025-09-30 11:00:00 America/New_York Sheafer + King Modern Sheafer + King Modern : Autumn Art + Design https://auctions.sheaferking.com/auctions/sheafer-king-modern/autumn-art-design-20186
Sheafer + King Modern is pleased to present our Autumn Art + Design auction. Highlights include paintings by Harold Town, David T. Grafton, Richard Allen George, and Walter Louis Jones, sculptures by Isidore Grossman, a Don Herron Tubshots photograph, an Alice Ballard Munn whiteware vase, a set of Milo Baughman dining chairs, and other designer lighting, furniture, ceramics, Modern and traditional art, glass, photography, and more.
Sheafer + King Modern auctions@sheaferking.com
Lot 104

Alice Ballard Munn 1980 Whiteware Vase

Estimate: $800 - $1,000
Starting Bid
$500

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$3,000 $250
$5,000 $500
$10,000 $1,000
$30,000 $2,500
$50,000 $5,000
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$1,000,000 $100,000

Whiteware vase in the shape of blossom by Alice Ballard Munn (American; born 1945). Signed and dated along lower edge.

 

Measurements: 8" W x 17.25" H x 8" D.

 

From AskArt:

Alice R. Ballard. (born June 16, 1945, Florence, South Carolina) is an American ceramicist based in Greenville, South Carolina. Much of her work is characterized by the organic earthenware forms of closed containers, pinch pots, platters, pods, teapots, totems, small work, vessels and a series she refers to as her white work. Much of her work is finished with terra sigillata.

Alice considers her art to be “a reflection of [her] relationship with natural forms. It is often the metamorphosis of Nature's forms, as they change from season to season, that attracts her to that universal world in which differing life forms share similar qualities." Her aesthetic heavily references the mother/child/germination metaphor and also explores the more evocative realm of wonder and awe.

Ballard received her BS degree in design and MFA in painting from the University of Michigan in 1968. It is evident that her background in painting comes heavily into play during surface decoration with her ceramics. Munn uses the pods as a three-dimensional canvas using terra sigallata because it reminds her much more of paint. Whereas glaze really sits on top like icing on the cake, she really wanted to emphasize the cake. From 1974-2001 she has attended numerous workshops from the Penland School of Crafts in Penland, North Carolina.

In 2004 she took a 40-day trip to China sponsored by The Center for International Research in Ceramic Art, West Virginia University. She has been a ceramic instructor on and off since 1967 and has her work in several galleries, including the Blue Spiral Gallery in Asheville, North Carolina and the Smithsonian American Art Museum’s Renwick Gallery in Washington D.C. where a white earthenware terra sigillata piece entitled "White Onion VII," has been added to the permanent collection.

Ballard is known for her work with nature she has done much with bulbs, plants and seed pods that she collects on walks in her neighbourhood. One notable walk for Alice was “ In the fall of 2005 while visiting Highwaterclays in Asheville, NC, her husband Roger and her stopped to walk their 2 dogs along the railroad tracks, near the river. On this walk she noticed a tree that had obviously sprung up from some wild seed, flung by a pod to a destination unknown. On this tree were clusters of little empty brown pods that looked like two little dimensional heart shapes that were open at one end and attached at the other. She snapped off two or three clusters and took them home to her studio in Greenville, SC. There they joined the company of many other forms collected on walks.
 

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